My New Year's Day 2024

Light snow mixed with sleet seemed perfect for a New Year’s Day walk. I enjoyed the quiet of the empty streets by the river when I noticed an old man coming towards me. He looked jaunty with his red tartan scarf and was far less wrapped up than I in my many layered outfit that I had struggled to put on. We smiled and greeted each other. “I am John,” he introduced himself. “What’s your name?” He had a bit of trouble with my German accent and my name. We fell into easy conversation. He said his daily walks kept him in shape and away from the doctors. We tried to figure out where each of us lived. As I described my yellow house at the bend of Riverside, he said “My eyesight is very poor. I’ll have to work out a map in my mind.” At some point I told him that I was eighty-one. “How old do you think I am?” he asked. I noticed his drawn in mouth, perhaps because of missing teeth, but also his lively eyes despite poor vision. “Perhaps your 70’s?” He laughed that joyful laugh of his. ”I will be 95 this April.” I was genuinely surprised, and we walked on, laughing together.

At the corner of Riverside and Angela John was about to turn toward Portage and home while I planned to continue on Riverside. But before we parted, he asked: “Can I hug you?” It had crossed my mind as well, but I had been too shy to say anything. We hugged, as snow came down gently on our hats and tiny sleet pebbles bounced off our coats. Two old people, two strangers, hugging at a street corner. Leaving he said: “This has made my day.”  And I agreed. “Happy New Year.“ It was off to a wonderful start.

Better Homes: The Play

A heartfelt end-of-year thanks to Caleen Jennings, author of Better Homes: The Play and to Aaron Nichols, Executive Director of the South Bend Civic Theater. Aaron commissioned Caleen Jennings, playwriting professor at American University, to turn Better Homes of South Bend. An American Story of Courage into a play. Her work makes us feel viscerally the pain and suffering of racism and discrimination, and the courage and perseverance of the group of Studebaker workers, migrants from the South, who stood up against it. Songs like I am Climbing Jacob’s Ladder and Aint Nobody Gonna Turn me Around made us all cry.

Thanks to the enthusiasm of the audience, Better Homes had to be moved from the small to the large stage, and even then almost every performance sold out. For anyone not able to attend this World Premiere, WNIT has recorded it, and this Spring I will teach a Forever Learning class about both the book and the recording.

The Better Homes family on first night of play, Nov. 10, 2023. Above, the image of the 1954 picnic showing them as kids while the adults celebrated their 22 new homes in a white neighborhood.

Panel discussion after the play with Director Laurisa LeSure, Moderator, Exec. Dir. Aaron Nichols, author Gabrielle Robinson, and playwright Caleen Jennings

The blitz, Berlin 1945, and Ukraine today

Seeing the heartrending and terrifying images coming out of Ukraine, I am reminded of Greta Briggs poem written under the blitz.

The bombs have shattered my churches

Have torn my streets apart.

But they have not bent my spirit

And they shall not break my heart

In April 1945 under day and night bombardment in Berlin very similar sentiments appeared in makeshift signs pinned to ruins:

“Our walls are breaking but not our hearts.” Both quoted in Api’s Berlin Diaries

Perhaps both show how ineffective is the bombing of civilians, although the toll and human suffering are enormous.

audio book and sample

Back to 1945?

A child of WWII, I never imagined any kind of repeat of the past. In February 1945 my mother and grandmother fled Berlin with me, just two and half years old, after we had lost our apartment to bombs. My grandfather stayed behind to serve as doctor.

I dimly remember the shouts and screams on the overcrowded station platform and my mother telling me over and over to hold on to her suitcase because she had no hand free to hold me. We were lucky to get on a train and luckier still to find a place to stay, even if it was only a tiny farmer‘s cottage without running water and we were, not surprisingly, unwelcome guests.

Now I see similar scenes, husbands kissing their wives and children good buy at a crowded railroad station, apartments destroyed, and the Russians coming ever closer. Only back then Germany had been the brutal aggressor and now Ukraine is a victim of Russia’s brutal invasion.

Anxiety and Tyranny

I just read #JacquelineRose’s discussion of Freud’s essay “A Phylogenetic Fantasy. Overview of the Transference Neurosis.” #LRB 11.19.20

#Freud makes two points that resonate with us today. He shows how anxiety, the result of the catastrophies of history, is passed from generation to generation. Today we often refer to it as “transgenerational haunting.” Freud’s other point is equally chilling. Tyranny follows these catastrophes as people desperately seek rescue and salvation from their perilous state.

After 77 years: eyewitness to my father's fighter plane crash in 1943

This image with an eye witness report was published in #Iron Cross, a historical magazine in England. The eye witness, first on the scene, took bits of the perspex to make rings and broaches as souvenirs. Today the editor of the magazine has offered to give me a personal tour of the site, which he remembers from his adolescence. I am always moved by the kindness of former enemies in #World War II. It reminds me how a British airman befriended us in 1946 and I still cherish the teddy bear he gave me. There is hope for us to come together in peace, without hate and prejudice.

Kurt's Focke Wulf 190. Andy Saunders Collection.jpg

Can we Rise to the Challenge of the 9th?

Never before have I experienced #Beethoven’s 9th symphony as on this New Year’s Eve 2020 on #WQXR. The first movement starts powerfully but, as so often in late Beethoven, gets disrupted by disharmony, only to reassert itself. This back and forth is more pronounced in the rustic dance of the second movement. There is joy in the dance, but the storm clouds soon stifle it. As this repeats itself, you wonder whether moments of storminess, anger and anxiety even, invariably get replaced by the happy dance or whether those moments of happiness, which in their speed sound a bit hectic anyway, continually get vanquished, sucking the life out of dance and dancers.

 

Then comes the third movement, heavenly in its almost uninterrupted melodic harmonies. We feel rescued from turmoil in a world of beauty and iridescent polyphony. We want to remain there, motionless, just listening and dreaming. But the drum beats of the fourth movement shake us awake. It is not the storminess we heard previously but rather a stern admonition, a call to action. We must not get lost in the beauty we just enjoyed, we must rouse ourselves to action. This appeal continues when the orchestra takes up the Joy theme and it crescendos when the singers take it over. In this performance, which I found out at the end was made up of orchestras and singers from many countries to celebrate the fall of the Berlin wall in 1989, the first sung words were not the usual “Freude,” Joy, but Freiheit, Freedom. This ending was rousing in a way I had not appreciated before, when I happily sang along with the Joy theme, and also a little intimidating. Will we be able to rise to the challenge Beethoven has set us? “Seid umschlungen Millionen, diesen Kuss der ganzen Welt.”

Facing our Past

It took me decades to confront my family’s and my country’s past. Growing up in post-World War II Germany, I went along with the German silence about the recent past. It took the shock of finding my grandfather’s Berlin diaries of 1945 which revealed not only the horrors of life under constant bombing but that my beloved grandfather had been a Nazi.

Perhaps Black Lives Matter today is driving a similar confrontation with our past in the US. What I have learnt is not clear-cut answers but the need to face our national and family past truthfully as a necessary first step to create a better future and reaffirm our common humanity, what binds us all together.

Api's Berlin Diaries. My Quest to understand my Grandfather's Nazi Past

As a record of post-war tribulation, Api’s Berlin Diaries is a poignant social history; as a search for an elusive, multifaceted grandfather, it’s a fascinating labyrinth."  5/5 stars FOREWORD REVIEWS

“A fascinating and admirably honest account of a woman’s journey to reconcile her love for her grandfather with his membership of the Nazi party . . . This is a must read for anyone interested in the German experience during WWII.” —ARIANA NEUMANN, author of When Time Stopped

Berlin 1945 and Covid 2020. Lifelines for Our Times

Had you asked me months ago, what makes my memoir Api’s Berlin Diaries interesting for today, I would have said that it was the discovery of my grandfather’s journal written during the fall of Berlin 1945, followed by a second discovery that my beloved grandfather had been a Nazi. Proofreading the book as the corona virus rages across our world, I find his message from the ruined city even more visceral and unbearable, and the question of his guilt yet unanswered. Now however, I also discover an unexpected perspective in the midst of Covid19. 

Api served as doctor in overcrowded medical cellars in the center of Berlin where everyone worked frantically without water, light, or bandages. The dead were stacked outside. The air was heavy with smoke and the stench of corpses, making it hard to breathe. As Berlin was cut off from the world, Api was at the brink of collapse, wishing only for an end. He was not alone in this. At one point the gas had to be turned off because too many used it to kill themselves.

“People die in the streets without there being any way of carrying them anywhere. Dead horses are cut up in the midst of bombardment, the meat eaten almost raw. Towards evening the sky to the east is a ghastly sea of smoke. I creep out at 10 o’clock at night to the clinic under whistling grenades and bombs, a wilderness of fire and dust, behind it, although already high in sky, the blood red moon.”

Before the pandemic, I focused on my grandfather’s ever more desperate struggle, while many questions haunted me: Why had he joined the Nazi Party in 1933? How can I assess his guilt and what collective guilt do the German people bear? Have I a right to tell his story in light of the millions of innocent victims of the Nazi regime? I wondered what I would have done if I had lived in the Third Reich? What is our political responsibility? These still remain crucial issues, but for the moment they recede in light of our own panic. 

Today I focus on clues how we can survive in our life and death crisis. One motivation that kept Api going was how much the sick needed care, which was the reason he had stayed in Berlin after my mother, grandmother and I had fled. He worked tirelessly throughout the day and night bombing and then through the inevitable epidemics in a city without food, medications, and sanitation, especially typhoid, dysentery, and tuberculosis. Api treated the sick and inoculated others. The same spirit reigns in our current pandemic. People are eager to support each other, and we witness the heroic self-sacrifice of health care workers. My South Bend neighborhood created playful ways to connect by placing teddy bears in windows, but also set up a food pantry and a network of helpers for those in need.

Another of Api’s life lines was his journal, written in the form of letters to us, “one of my dearest hours in the day!” Although he feared that his words might already meet emptiness, not knowing whether we were alive, he acknowledged that “the heart that does not want to, and cannot, unlearn hope, rejoices to have come one little step closer to our reunion in a world at peace.”

Today many of us are fortunate to have multiple ways of talking with each other. I enjoy Zoom meetings about writing, yoga, and chats with family. Even our knit group gets together virtually as we did in coffee houses before. Such communications nourish our hearts, even though I also have moments of panic when I don’t get an immediate response from my son in Brooklyn.   

Nature was one of Api’s most powerful consolations. He had always loved to be out in woods and fields and written poems. Now he was restricted to what he saw from his attic window above a sea of grey ruins. He keenly observed sky, clouds, and birds. “A sky full of peace and infinity in which a few delicate feather clouds drift silently together with an early swallow.” For Api the beauty of nature was linked to the consolations of his faith. He recorded the gist of a sermon he heard at the time: “Instead of using all the treasures of His wonderful earth for love, we have perverted everything to hate, murder, and war. But now we all need to become God’s co-workers.”  If all else failed him, he was left at the last with his faith that “we were all united in God and that we would be granted a blessed reunion in His kingdom, where there was no separation, no worry, no anxiety, no misery.”

Even though I cannot follow Api on his path of religious faith, I do believe in nature and all living things. I believe in their restorative powers where trees communicate and help each other, shooting nutrients to their sick companions or warning them of an infestation. I take refuge in daily outings where I eagerly watch for the buds of spring, listen to the throated calls of a wren, and admire the golden glow of the first marsh marigolds by the river. 

No matter how desperate he was, Api reminded himself that he was fortunate compared with the misery all around. Tens of thousands were homeless, three million refugees streamed into Berlin from the east, people died in the streets. In our world where inequality has grown into an abyss, Covid19 seems to have made us more aware of so many of our fellow citizens without health insurance, a living wage, or any employment at all. They keep us provided with basic needs and we must not forget them after the pandemic has passed.

These lifelines from 1945 can then serve us in 2020. Under attack from the virus, we see how inextricably we are bound together across continents. We need to have faith in our common humanity and embrace it with love and compassion. And this brings me back to the question of our political responsibility or even guilt. We need to foster love and tolerance and reject bigoted, discriminatory thoughts and actions wherever we see them. Then, as we move past this pandemic, we will not forget the many who have suffered injustice. Our faith will extend to all living things so that we treasure and protect our environment to make it livable for future generations.

 

 

 

 

 

 

BREAD WARS 2

Mishawaka bakeries desperately fought against the national Ward Baking Company that was underselling its bread to put local bakeries out of business and then raise the price of bread. Their ad spells out the struggle against big companies everythere: men from a distant city with no other interest than profit destroying local businesses.

Ward’s mass production was hurting consumers also in their health: their products Tip Top, Wonder Bread, and Hostess Cakes were devitalised since wheat germ and bran gummed up the machines and shortened shelf life. In return, Ward was in the forefront of “enriching” breads and even created a laboraotry devoted to additives.

So in both instances Ward can be seen as an example of where industry went so disastrouly wrong, at least as the consumer is concerned for the company was highly profitable.

Today consumers seem ready to demand age old, slower and smaller production. In South Bend Elder Bread is a good example. Lauren Barry makes flavorful and wholesome bread, as good as any I loved in Europe. @theelderbread

Bread War.jpg
Hostess.jpg

Memoir Writing & Family History Research

I love to tell stories about history and family. But I also love to help others on their journey to tell their own stories from getting started to getting published. I have done workshops on memoir writing and family history research, written a monthly piece in the newsletter of the local Jewish Federation called “Telling Our Stories,” and, of course, learnt, often the hard way, by telling my own story.

I will post examples of what I’ve learnt, but I also am happy to answer your questions or hear about your experiences. Feel free to contact me, either by responding here or sending me an email at grobinsonauthor@gmail.com